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Shoo, Fly

"Shoo, Fly" Lyrics, Text Format


Practicing syncopation in four rhythm patterns
with advanced intervals.

 

Description

  • Grade: Second
  • Origin: USA – Folk Song
  • Key: F Major
  • Time: 2/4
  • Form: ABA
  • Rhythm: advanced: | ti ta ti | syncopation,
    | ti/ ri ta | syncopation, | ti/ ri ti ti | syncopation,
    | ti ti ti ti | ta/ ti | ti ti ri ti ti | syncopation
  • Pitches: intermediate: So Ti Do Re Mi Fa So
  • Intervals: advanced: Mi\Do, Fa\Re, Re\Ti, Re/So, So/Mi, Mi\So, So/Re, Re/So, So\Mi\Do descending tonic arpeggio
  • Musical Elements: notes: dotted quarter, quarter, dotted eighth, eighth, sixteenth; rest: eighth; fermata, syncopation
  • Key Words: nonsense song, shoo, fly, morning, star, bother, belong, somebody; contraction: don’t (do not)

“Shoo, Fly” 

Shoo, fly, don’t bother me,
Shoo, fly, don’t bother me,
Shoo, fly, don’t bother me,
For I belong to somebody.
I feel, I feel, I feel,
I feel like a morning star.
I feel, I feel, I feel, I feel,
I feel like a morning star.
Shoo, fly, don’t bother me,
Shoo, fly, don’t bother me,
Shoo, fly, don’t bother me,
For I belong to somebody.
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Ship A-Sailing

"Ship A-Sailing" Lyrics, Text Format

Advanced: syncopated rhythms in 6/8, extended range,
ascending/descending arpeggios and octave skips.

 

Description

  • Grade: Second
  • Origin: England – Nursery Rhyme
  • Key: A Flat Major
  • Time: 6/8
  • Form: rhythm: ABABCDCD – pitches: ABAbCDCE
  • Rhythm: advanced: | ta ti ti ti ti | ta/ ta ti | syncopation, | ta ti ta ti | syncopation, | ta/a/ ti ri |
    syncopation, | ta ti ta ti ri | syncopation
  • Pitches: advanced: Mi Fa So La Ti Do Re Mi So – extended range
  • Intervals: advanced: So/Mi, Mi\Do\So descending tonic arpeggio, Mi/So/Mi8, Do\So, So/Re, Re\Ti\Sodescending dominate arpeggio, So/Do, So/So8dominate octave skip, So8\So dominate octave skip
  • Musical Elements: notes; dotted quarter, quarter, eighth, sixteenth; pickup beat, tied notes, feeling duple meter (dotted quarters) in 6/8 time, syncopation, melodic rhythm patterns
  • Key Words: world geography: England; nursery rhyme, sailing, parts of a boat/ship, sea, deeply, laden, pretty, candy, cabin, apples, hold (lower storage area), sails, satin, masts, gold, four and twenty (24), stood, decks, white, mice, rings, necks, captain, duck, jacket, fairy, quack, duck sounds

 


“Ship A-Sailing”
 

1.
I saw a ship a-sailing,
A-sailing on the sea,
And it was deeply laden
With pretty things for me.
There was candy in the cabin
And apples in the hold;
The sails were made of satin
And the masts were made of gold.
2. The four and twenty sailors
That stood between the decks,
Were four and twenty black mice
With rings about their necks.
The captain was a duck, a duck
With a jacket on his back;
And when the fairy ship set sail
The captain said, “Quack, quack.”
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Sarasponda

"Sarasponda" Lyrics, Text Format

Syncopated rhythms, a tonic arpeggio, and an octave skip.

 

Description

  • Grade: Second
  • Origin: Most often attributed as Dutch – Folk Song
  • Key: C Major
  • Time: 4/4
  • Form: by staff: AABCBC – song: ABB
  • Rhythm: intermediate: | ti ti ti ti ti ti ti ti |
    | ti ti ti ti ta ti ti | ta/ ti ta (ti) ti | syncopation,
    | ti ti ti ti ta (ti) ti | ti ti ti ti ti ti ta |
  • Pitches: intermediate: Do Re Mi Fa So La Do
  • Intervals: advanced: Do/Mi/So ascending arpeggio, Do/Do ascending tonic octave skip, Do\La, So\Do, Fa\Re, So\Re, Re/Fa
  • Musical Elements: notes: dotted quarter, quarter, eighth; rest: eighth; pickup beat, repeat signs, tonic arpeggio, tonic octave skip, syncopation
  • Key Words: nonsense song, imitating the sound of a spinning wheel, spinning yarn

 


“Sarasponda”
 

Sarasponda, sarasponda, sarasponda ret set set.
Sarasponda, sarasponda sarasponda ret set set.
A doray-oh, A doray boomday-oh.
A doray boomday ret set set, ah say pa say oh.

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Sandy Land

"Sandy Land" Lyrics, Text Format

Introducing syncopation for voice and keyboard.

 

Description

  • Grade: Second
  • Origin: USA – Texas Folk Song
  • Key: G Major
  • Time: 4/4
  • Form: rhythm: AAAB – pitches: AaAB
  • Rhythm: intermediate: | ti ti ti ri ti ri ti/ ri ti ti | syncopation, | ti ti ti ti ta/ ti | syncopation
  • Pitches: beginners: Do Re Mi So
  • Intervals: beginners: Mi/So, So\Mi, Do/Mi
  • Musical Elements: notes: dotted quarter, dotted eighth, eighth, sixteenth; pickup beat, syncopation
  • Key Words: USA geography, Texas, sandy land, farming, taters (potatoes), sweet potatoes, dig, raise, make a living, fare you well, ladies
  • Keyboard: intermediate: Upper grades: Excellent
    five finger exercise; left, right, and two hands together

“Sandy Land” 

1. I make my living in the sandy land,
I make my living in the sandy land,
I make my living in the sandy land,
Oh ladies, fare you well.
2.
They raise big taters in the sandy land,
They raise big taters in the sandy land,
They raise big taters in the sandy land,
Oh ladies, fare you well.
3. They dig sweet potatoes in sandy land,
They dig sweet potatoes in sandy land,
They dig sweet potatoes in sandy land,
Oh ladies, fare you well.
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Rocky Mountain

"Rocky Mountain" Lyrics, Text Format

Introducing the 6th (La) to the tonic arpeggio.

 

Description

  • Grade: Second
  • Origin: USA – Appalachian Folk Song
  • Key: F Major
  • Time: 2/4
  • Form: rhythm: AABB – pitches: ABCc – song: AB (verse/refrain)
  • Rhythm: beginners: | ti ti ti ti | ta (ta) | ta ta |
  • Pitches: beginners: Do Re Mi So La – pentatonic scale
  • Intervals: intermediate: Do/Mi, Do/Mi/So ascending tonic arpeggio, So\Mi\Do descending tonic arpeggio, La\Mi
  • Musical Elements: notes: quarter, eighth; rest: quarter; verse/refrain, tonic arpeggio
  • Key Words: USA geography, earth science, Appalachians, rocky, mountain, stormy, ocean, hide, sunny, valley, low, soft and low, remember; contraction: you’re (you are)
  • Keyboard: intermediate: upper grades – practicing the tonic arpeggio; left, right and two hands together

“Rocky Mountain” 

1. Rocky mountain, rocky mountain, rocky mountain high,
When you’re on that rocky mountain, hang your head and cry.

Refrain

Do, do, do, do, Do remember me.
Do, do, do, do, Do remember me.

2.
Stormy ocean, stormy ocean, stormy ocean wide,
When you’re on that stormy ocean, there’s no place to hide.
Refrain
3. Sunny valley, sunny valley, sunny valley low,
When you’re in that sunny valley sing it soft and low.
Refrain
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Riding in the Buggy

"Ridding in the Buggy" Lyrics, Text Format

Dotted quarters and eighths will challenge your best readers.

 

Description

  • Grade: Second
  • Origin: USA – South Carolina Folk Song
  • Key: C Major
  • Time: 2/4
  • Form: AB
  • Rhythm: advanced: | ti ri ti ri ti ri ti | ti/ ri ti ti |
    syncopation, | ta/ ri ti (ti) | ti/ ri ti ti ri | ti ta ti | syncopation, | ta/ (ti) | ta (ta) |
  • Pitches: beginners: Do Re Mi So La Do – pentatonic scale
  • Intervals: intermediate: Do/Mi, Mi\Do, Do/Mi/So ascending tonic arpeggio, Do\La, La\Mi, So\Mi\Do descending tonic arpeggio
  • Musical Elements: notes: dotted quarter, quarter, dotted eighth, eighth, sixteenth; rests: quarter, eighth, syncopation
  • Key Words: USA geography, South Carolina, buggy, ridding, morn, darling


“Riding in the Buggy”
 

Ridding in the buggy, Miss Mary Jane,
Miss Mary Jane, Miss Mary Jane,

Ridding in the buggy, Miss Mary Jane,
I’m a long ways from home.
Who morns for me?
Who morns for me?
Who morns for me, my darling,
Who morns for me?

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Pop Goes The Weasel

"Pop Goes the Weasel" Lyrics, Text Format

Skipping in 6/8 time with a quarter followed by an eighth.

 

Description

  • Grade: Second
  • Origin: England – 17th Century English Rhyme
  • Key: C Major
  • Time: 6/8
  • Form: ABCD (4 measures) AB (8 measures)
  • Rhythm: intermediate: | ta ti ta ti | ti ti ti ta ti |
    ta/ ta ti | ti (ti) (ti) ta ti | ta/ ta/ |
  • Pitches: advanced: So Do Re Mi Fa So La Ti Do Re – wide range
  • Intervals: advanced: Mi/So, So\Mi\Do\So descending tonic arpeggio, So/Do, Do/La, La\Re, Re/Fa, Do/Do ascending octave skip, Do\La, Ti\So, So/Do8, Ti/Re8, Re8\Ti
  • Musical Elements: notes: dotted quarter, quarter, eighth; rest: eighth; descending tonic arpeggio, ascending tonic octave skip, extending the vocal range
  • Key Words: nursery rhyme, cobbler, bench, chased, weasel, monkey, thought, sigh, patience, by and by, nickel, spool, thread, sewing, regal; contractions; I’ve (I have), ’twas (it was); possessive: cobbler’s

A seemingly nonsense rhyme with many interpretations. Excellent for class discussion. In the United States the first verse represents children working in the fabric shops prior to the industrial revolution; chasing yarn balls.

“Pop Goes The Weasel” 

1. All around the cobbler’s bench,
The monkey chased the weasel,
The monkey thought ’twas all in fun,
Pop! goes the weasel!
I’ve no time to wait and sigh,
No patience to wait till by and by,
So kiss me quick, I’m off, goodbye,
Pop! goes the weasel!
2.

A nickel for a spool of thread,
A penny for a needle-
That’s the way the money goes,
Pop! goes the weasel.
You may try to sew and sew,
And never make anything regal,
So roll it up and let it go,
Pop! goes the weasel.

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Polite

“Songs of a Little Child’s Day”
At Home

"Polite" Lyrics, Text Format

Feeling duple meter in 6/8 time.

 

Description

  • Grade: First
  • Origin: Emilie Poulsson, Eleanor Smith
  • Key: C Major
  • Time: 6/8
  • Form: AABCD
  • Rhythm: intermediate: ti | ta ti ta ti
    (6 | 1/2 3 4/5 6) | ta ti ta/ | ta/a/a |
  • Pitches: intermediate: Do Re Mi Fa So La Do
  • Intervals: intermediate: So\Mi, Mi\Do, Fa\Re, Re/Do, Do\Mi
  • Musical Elements: notes: dotted half, dotted quarter, quarter, eighth; rests: quarter, eighth; tempo: allegretto/moderately fast (98–109 BPM; dynamics: mezzo forte/ medium loud, forte/loud, crescendo, decrescendo; horizontal accent: sing/play the note louder
  • Key Words: character education, manners, polite, friendly, chap, lift, cap, morning, night, jumps, quickly, lady, seat, courteous, gallant, knight, cheers

 


“Polite”
 
1.

Oh who’s the friendly little chap,
That always thinks to lift his cap,
And says “Good morning,” says “Good night?”
‘Tis Paul Polite! ‘Tis Paul Polite.
Three cheers for Paul Polite!

2.

Who jumps so quickly to his feet,
If any lady needs a seat,
As courteous as a gallant knight?
‘Tis Paul Polite! ‘Tis Paul Polite.
Three cheers for Paul Polite!

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Pizza, Pizza, Daddy-O

"Pizza, Pizza, Daddy-O" Lyrics, Text Format

Mastering the beginning Orff interval So\Mi.
Centered around the 3rd (Mi) before arriving
at the tonic (Do) on the last pitch.

 

Description

  • Grade: Second
  • Origin: USA – African American Singing Game
  • Key: D Major
  • Time: 4/4
  • Form: ABbbbb
  • Rhythm: advanced: | ti ti ti ti ta ta |
    | ta ti ta ti ti ti | syncopation, | ti-ti-ti ta ta | triplet,
    | ta ti ti ta ta | ta ta ta ta | ti (ti) ta ta ta |
  • Pitches: beginners: Mi So La Do
  • Intervals: intermediate: So\Mi, Mi/La, Mi/So, So/Do
  • Musical Elements: notes: quarter, eighth, eighth triplet; rest: quarter, eighth; triplet, tied notes, syncopation
  • Key Words: African American History Month, playground songs, jump-rope song, boyfriend, pizza, rope, twist; abbreviation: ’cause (because); hyphenated: daddy-o

 


“Pizza, Pizza, Daddy-O”
 

Annie has a boyfriend,
Pizza, pizza, daddy-o,

How do you know it?
Pizza, pizza, daddy-o,
‘Cause she told me,
Pizza, pizza, daddy-o,
Let’s rope it!
Rope it, rope it, daddy-o,
Let’s twist it!
Twist it, twist it, daddy-o
Let’s end it!
End it, end it, daddy-o.

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Over My Head

"Over My Haed" Lyrics, Text Format


Cut time, 2/2, counted in 4/4, including tied phrases and syncopation, for voice, recorder and keyboard.

 

Description

  • Grade: Second
  • Origin: USA – African American Spiritual
  • Key: G Major
  • Time: 2/2 (cut time counted in 4/4)
  • Form: AAAB
  • Rhythm: intermediate: | ta/a/a/a_|_a ti ti ti ti ti ti | syncopation, | ta (ta) (ta) ta | ta/a ta ta |
  • Pitches: beginners: Do Re Mi
  • Intervals: beginners: Do/Mi, Mi\Do
  • Musical Elements: notes: whole, half, quarter, eighth; rest: quarter; pickup beat, cut time 2/2, tied notes
  • Key Words: sacred, spiritual, African American History Month, head, music, angels, Jesus, God
  • Recorder: beginners: upper grades; excellent practice following the first (1st) Beginning Recorder Song, Long Legged Sailor.
  • Keyboard: beginners: excellent three finger exercise for the left, right, and two hands together.

“Over My Head” 

1. Over my head, I hear music in the air,
Over my head, I hear music in the air,
Over my head, I hear music in the air.
There must be a God somewhere.
2.
Over my head, I see angels in the air,
Over my head, I see angels in the air,
Over my head, I see angels in the air,
There must be a God somewhere.
3. Over my head, I see Jesus in the air,
Over my head, I see Jesus in the air,
Over my head, I see Jesus in the air,
There must be a God somewhere.
4. Over my head, I hear music in the air,
Over my head, I hear music in the air,
Over my head, I hear music in the air.
There must be a God somewhere.
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