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Mademoiselle From Armentieres

"Mademoiselle From Armentieres," Lyrics, Text Format

Syncopation, dominate octave skip, dominate arpeggio,
and feeling duple meter in 6/8 time.

 

Description

  • Grade: Fifth
  • Origin: England – Traditional, tune dates from 1830’s (French Army), popular during the Franco-Prussian war (1870), and in World War I (1914)
  • Key: F Major 
  • Time: 6/8
  • Form: rhythm: AABC – pitches: ABCD
  • Rhythm: intermediate: | ti ti ti ta ti | syncopation,
    | ta/a ti | syncopation, | ta/a/a | ta ti ta ti | syncopation, | ta ti ta/ | ta/ ta/ |
  • Pitches: intermediate: So Ti Do Re Mi Fa So La
  • Intervals: intermediate: Mi/So (m3), Fa\Re, (m3), Mi\Do (M3), Re\Ti\So descending dominate arpeggio (V, C), So/So ascending dominate octave skip
  • Musical Elements: notes: dotted half, dotted quarter, quarter, eighth; tied notes, syncopation, dominate arpeggio, melodic rhythm patterns, 6/8 time: eighth note receives one beat, divisions of a dotted quarter note: three eights (3 ti’s), feeling duple meter (2) in 6/8: where three eights would be a triplet if the beat is represented by a dotted quarter 
  • Key Words: world history: World War I, world geography: Armentieres, France; language: French: mademoiselle (unmarried woman), Parley voo (respelling of the French – parlez-vous, meaning: do you speak?), Hinky Dinky (person/place of questionable quality), forty years, steady beat; contraction: she’s (she was), she’ll (she will)
  • Recorder: intermediate: practicing B flat, descending dominate arpeggio, and ascending dominate octave skip

Armentières: Dutch: Armentiers) is a commune in the Nord department in the Nord-Pas-de-Calais region in northern France. It is part of the Urban Community of Lille Métropole.

 


“Mademoiselle From Armentieres”
 

Mademoiselle from Armentiers Parley voo,
Mademoiselle from Armentiers Parley voo,
Mademoiselle from Armentiers
She hasn’t been kissed
in forty years,
Hinky Dinky Parley Voo.

Challenge students to compose new lyrics.

Example:

Mademoiselle from Armentiers Parley voo,
Mademoiselle from Armentiers Parley voo,
They say she’s born with two left feet
She’ll never keep a steady beat,
Hinky Dinky Parley Voo.

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Lovely Evening

"Lovely Evening" Lyrics, Text Format

Three part German round introducing harmony and singing in parts.

 

Description

  • Grade: Third
  • Origin: Germany – Traditional Round, cir. 1917
  • Key: C Major
  • Time: 3/4
  • Form: rhythm: AAB – pitches: ABC
  • Rhythm: beginners: | ta/a ta | ta ta ta | ta/a/a |
  • Pitches: beginners: Do Re Mi Fa So La
  • Intervals: intermediate: Mi\Do, Do/Fa, Do/Mi, So\Mi, Mi/La
  • Musical Elements: notes: dotted half, half, quarter; vocal slurs, three part round, harmony
  • Key Words: world geography, Germany, lovely, evening, bells, ringing; imitation of bells ringing


“Lovely Evening”

 

Oh, how lovely is the evening,
is the evening,
When the bells are sweetly ringing,
sweetly ringing!

Ding, dong, ding, dong, ding, dong.

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Lukey’s Boat – NEW

Lukey's Boat Text Format

Descending dominate triad (D Major), 2 perfect 4ths, and a major 6th.

 

Description

  • Grade: Fourth (4)
  • Origin: Newfoundland Folk Song
  • Key: G Major
  • Time: 4/4
  • Form: ABC
  • Rhythm: beginners: | ta ta ta ta | ta/a/a ta | ta ta ti ti ta |
  • Pitches: beginners: So La Ti Do Re Mi Fa So
  • Intervals: intermediate: So/Do (P4), Mi\Do (M3), Re\La (P4), So/Mi (M6), Mi/So8\Mi (m3), Re\Ti (M3), Ti\So (m3), Re\Ti\So descending dominate triad (D Major)
  • Musical Elements: notes: dotted half, quarter, eighth, sixteenth; rests: none; walking quarter notes, pickup beat
  • Key Words: Newfoundland, sea shanty, seam, chinked, putty, planted copper nails, split pea, ten pound, riddle-i-day, patent, block, grub, tub, parts of a boat: fore cuddy, (forward cabin), high-topped sails, sheet (sails), jib (triangular sail), foremost (front) head

 

 


“Lukey’s Boat”
 

1.
Oh, Lukey’s boat is painted green,
Ah-ha, me boys!
Oh, Lukey’s boat is painted green,
The finest boat that you’ve ever seen.
Ah-ha, Aha me riddle-i-day!
2.
Well, oh, Lukey’s boat’s got a fine fore cuddy,
Ah-ha, me boys!
Lukey’s boat’s got a fine fore cuddy,
And every seam is chinked with put
3. Well, Lukey’s boat’s got high-topped sails,
Ah-ha, me boys!
Lukey’s boat’s got high-topped sails,
The sheet was planted with copper nails.
Ah-ha, Ah-ha, me a-riddle-i-day!
4. Oh, Lukey’s rolling out his grub,
Ah-ha, me boys!
Lukey’s rolling out his grub,
One split pea and a ten pound tub.
Ah-ha, Ah-ha, me a-riddle-i-day!
5. Lukey’s boat got a high-stopped jib,
Ah-ha, me boys!
Lukey’s boat got a high-stopped jib
And a patent block to her foremast head.
Ah-ha, Ah-ha, me a-riddle-i-day!
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Lucy Locket

"Lucy Locket" Lyrics, Text Format

Adding the sixth (La) to the beginning Orff interval (So\Mi).

 

Description

  • Grade: Kindergarten
  • Origin: England – Nursery Rhyme
  • Key: D Major
  • Time: 2/4
  • Form: ABAB
  • Rhythm: beginners: | ti ti ti ti | ta ta |
  • Pitches: beginners: Mi So La
  • Intervals: beginners: So\Mi, Mi/So
  • Musical Elements: notes: quarter, eighth; beginning Orff interval
  • Key Words: world geography: England; nursery rhyme, locket, penny, lost, found, ribbon
  • Keyboard: beginners: three finger exercise for the right, left, and two hands together

 

“Lucy Locket” 

Lucy Locket lost her pocket,
Kitty Fisher found it.
Not a penny was there in it,
Only ribbon round it.

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Lucy

"Lucy" Lyrics, Text Format

Introducing the sharp sixth, Li.

 

Description

  • Grade: Kindergarten
  • Origin: USA – Traditional
  • Key: C Major
  • Time: 4/4
  • Form: ABCD
  • Rhythm: beginners: | ta ta ta ta | ta ta (ta) ta |
    | ta/a (ta) ta |
  • Pitches: intermediate: Mi Fa So La Li Ti Do – raised 6th (Li)
  • Intervals: intermediate: Do\So, Mi/So, So/Do, Ti\So, So/Ti
  • Musical Elements: notes: half, quarter, rest: quarter; raised/sharp sixth (Li)
  • Key Words: hand jive tune, doctor, nurse, alligator, purse, throat, bathtub, swim, soap, followed, walked, lady, mumps, nothing, ate, named, tiny, called, water, coming, contractions: wouldn’t (would not), I’m (I am)

“Lucy”
1. Lucy had a baby,
She named him Tiny Tim.
She put him in the bathtub,
To see if he could swim.
2.
He drank up all the water.
He ate up all the soap.
He tried to eat the bathtub,
But it wouldn’t go down his throat.
3.
Lucy called the doctor.
The doctor called the nurse.
The nurse then called the lady
With the alligator purse.
4.
I’m here called out the doctor,
I’m coming said the nurse,
All followed by the lady
With the alligator purse.
5. Mumps called out the doctor,
Measles called out the nurse,
But, nothing said the lady
With the alligator purse.
6. So, out then walked the doctor,
Then followed by the nurse,
All followed by the lady
With the alligator purse.
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Love Somebody – NEW

Love Somebody Text Format

Three perfect fourths, syncopated rhythms with sixteenths, and an inverted tonic triad.

 

Description

  • Grade: Third (3)
  • Origin: American Folk Song
  • Key: C Major
  • Time: 2/4
  • Form: ABCD
  • Rhythm: intermediate: | ti ti ri ti/ | ti ti ta | ti ti ti ri ti ri | ti ti ti ti ri | ti ti ti ti |
  • Pitches: advanced: Do Re Mi Fa So Do Re Mi – extended range
  • Intervals: intermediate: Do/Mi/So ascending tonic triad, So\Re (P4), Fa\Do (P4), Do/Mi\Do (M3), So\Mi/So (m3), Mi/So/Do inverted tonic triad, Do8\So (P4)
  • Musical Elements: notes: quarter, dotted eighth, eighth; rests: none; tonic triad, inverted tonic triad, three perfect fourths, syncopation
  • Key Words: United States history, courting song, Valentine’s Day, love; contraction: can’t (cannot)

 


“Love Somebody”
 
Love somebody, yes I do.
Love somebody, yes I do.
Love somebody, yes I do.
Love somebody but I won’t tell who.
Love somebody, yes I do.
Love somebody, yes I do.
Love somebody, yes I do.
And I hope somebody loves me too.
Love somebody, can’t tell who.
Love somebody, can’t tell who
Love somebody, can’t tell who
Love somebody but I won’t tell who.
Love somebody, yes I do.
Love somebody, yes I do.
Love somebody, yes I do.
And I hope somebody loves me too.
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Lost My Gold Ring

"Lost My Gold Ring" Lyrics, Text Format


A syncopated singing game fostering the independent voice.

 

Description

  • Grade: Kindergarten
  • Origin: Jamaica – Children’s Game Song
  • Key: C Major
  • Time: 4/4
  • Form: AB
  • Rhythm: intermediate: ti ti ti ti ta ta | ta ti ti ta ta|
    | ti ta ti ta/a | syncopation
  • Pitches: beginners: Do Re Mi Fa So
  • Intervals: beginners: So\Mi, So\Do, Do/Mi, Fa\Re
  • Musical Elements: notes: half, quarter, eighth; eighth notes flaged and beemed, syncopation, independent singing, developing the independent voice, singing alone and with others
  • Key Words: world geography: Kingston, Jamaican; singing song, game song, gold, ring, hold, again, back, come
  • Keyboard: beginners: five finger keyboard exercise for the right, left, and two hands together

“Lost My Gold Ring” 

Biddy, Biddy, hold on,
Lost my gold ring.
I go to Kingston,
Come back again.

GAME

Children sit in circle, with hands and eyes closed: one takes the ring/stick, walking around tapping the closed hands of the players while singing the first line of the song.

While singing: “I go to Kingston,” player places ring/stick in another student’s hand, that student sings, “come back again.” Students guess who has the ring. The correct student becomes the next player.

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The Lordly Cock

“Songs of a Little Child’s Day”
At the Farm

"The Lordly Cock" Lyrics, Text Format

Short, fun, and quite challenging!
Singing octaves leaps and octaves that step down.

 

Description

  • Grade: First
  • Origin: Emilie Poulsson, Eleanor Smith
  • Key: D Major
  • Time: 4/4
  • Form: AaBCD
  • Rhythm: advanced: | ta ti/ ri ta ta | ti/ ri ta ta ta |
    | ta ti/ ri ta (ta) | ta ti ti ta ta | ti ti ti ti ta (ta) |
    | ti/ ri ti/ ri ti ti ti (ti) |
  • Pitches: advanced: Do Re Mi Fa So La Te Ti Do Re
  • Intervals: advanced: Do\Do descending tonic octave leap, Mi\Do, Do/Do ascending tonic octave leap, La\Fa, Fa/La, Do\La, La/Re, Do/Do descending tonic octave by steps, lowered 7th
  • Musical Elements: notes: quarter, dotted eighth, eighth, sixteenth; rests: quarter, eighth; lowered 7th (Te), tempo: pomposo/grand dignified, dynamics: forte/loud, mezzo forte/medium loud, fortissimo/very loud, decrescendo; poco ritardando, ad libitum (make-up cockle)
  • Key Words: barnyard, farming, strutting, struts, proud, to and fro, farmyard, farmer, chickens, chicken coop


“The Lordly Cock”
 

Out in he farmyard
Proud Cock-a-doo-dle
Lifts his feet high and struts to and fro.
Let the world listen!
Proud Cock-a-doo-dle
Flaps his big wings and gives a loud crow:
Cock-a-doo-dle-doo!

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Looby Loo

"Looby Loo" Lyrics, Text Format

Practicing tonic intervals, stepping down from the 6th (La) to the tonic (Do), and stepping up with syncopation.

 

Description

  • Grade: Second
  • Origin: English Singing Game
  • Key: F Major
  • Time: 6/8
  • Form: ABCD (4 measure phrases) ABA (8 measure phrases)
  • Rhythm: intermediate: | ti ti ti ta ti | ta/a/a |
    | ti ti ti ti ti ti | ta/_a ti | ta ti ta ti | ta (ti) ta/ |
  • Pitches: beginners: Do Re Mi Fa So
  • Intervals: intermediate: Do/Mi, Mi\Do, Do/So, So/Do
  • Musical Elements: notes: dotted half, dotted quarter, quarter, eighth; rest: eighth; tied notes, refrain/verse, D.C. al Fine, Fine
  • Key Words: learning left and right, physical science, parts of the body, hand, foot, Saturday, whole self, body, shake, turn about

“Looby Loo” 

Refrain
Here we go looby loo,
Here we go looby light,
Here we go looby loo,
All on a Saturday night.
1. I put my right hand in,
I take my right hand out,
I give my head a shake, shake, shake,
And turn myself about. Oh,
Refrain
2.
I put my left hand in,
I take my left hand out,
I give my head a shake, shake, shake,
And turn myself about. Oh,
Refrain
3. I put my right foot in,
I take my right foot out,
I give my head a shake, shake, shake,
And turn myself about. Oh,
Refrain
4. I put my left hand in,
I take my left hand out,
I give my head a shake, shake, shake,
And turn myself about. Oh,
Refrain
5. I put my whole self in,
I take my whole self out,
I give my head a shake, shake, shake,
And turn myself about. Oh,
Refrain
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Long Come Uncle Jessie

"'Long Come Uncle Jessie," Lyrics, Text Format

Advanced syncopation with natural/lowered third (Me) and seventh (Te), and advanced intervals.

 

Description

  • Grade: First
  • Origin: USA – African Amreican Folk Song
  • Key: D Major 
  • Time: 2/4
  • Form: ABC
  • Rhythm: advanced: ta_|_ ti ti ti | syncopation,
    | ta/ ti_|_ ti ti ti | syncopation, | ti ti ti ti | ti ta/ | syncopation, | ta ta | ti ti (ta) |
  • Pitches: advanced: La Do Re Me Mi So La Te So – extended range
  • Intervals: advanced: Do\So, La\Mi, Mi/So, La/Te,
    Te\So, La\Do, Do/Me, Me/So\Me, Do\La/Do, Me\Do
  • Musical Elements: notes: dotted quarter, quarter, eighth; pickup beat, tied notes, natural/lowered 3rd (Me), natural/lowered seventh (Te), syncopation, advanced intervals 
  • Key Words: USA history, African American history, uncle, relatives, riding, through, horse and buggy, shake, jump rope song; abbreviations: ‘long (along); colloquialism: g’wan (go on)

 

“‘Long Come Uncle Jessie”

‘Long come Uncle Jessie
Riding through the fields,
With his horse and buggy,
And, I know just how he feels.

Oh, q’wan, girl, shake it,
G’wan, girl, shake it,
G’wan, girl, shake it.

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