Syncopation pattern ti ta ti ta in 2/2 counted as 4/4.
Description
Grade: Fourth
Origin: USA – Traditional, cir. 1844
Key: D Major
Time: 2/2 – counted in 4/4
Form: AB verse/refrain
Rhythm: intermediate: | ta ta ta ta | ta ta ta/a |
| ta/a/a a | ti ti ta ta ti ti | ti ta ti ta/a | syncopation, | ti ta ti ta ta | syncopation,
| ta ti ti ta ti ti |
Key Words: USA history, minstrel performers, USA geography: Buffalo, NY, courting song, nonsense lyrics, gal (girl), chanced, pretty, fair to see, moon light, sidewalk, wife, marry; contractions: won’t (will not), she’d (she would), I’d (I would)
“Buffalo Gals”
1.
As I was walking down the street
Down the street, down the street,
A pretty gal I chanced to meet,
Oh she was fair to see.
Refrain
Oh, Buffalo Gals won’t you come out tonight,
Come out tonight, come out tonight?
Oh, Buffalo Gals won’t you come out tonight,
And dance by the light of the moon.
2.
I asked her if she’d stop and talk,
Stop and talk, stop and talk,
Her feet took up the whole sidewalk,
And left no room for me.
Refrain
3.
I asked her if she’d be my wife,
Be my wife, be my wife,
Then I’d be happy all my life,
If she would marry me.
Refrain
A popular American minstrel song.
Performers changed the location as they traveled.
Syncopation occurring on the second half of the second and fourth beats (and of 2, and of 4), ascending tonic arpeggio within the pentatonic scale.
Description
Grade: Fourth
Origin: USA – Folk Song
Key: C Major
Time: 4/4
Form: AB – verse/refrain
Rhythm: intermediate: | ta ta ti ti ti ti |
| ta ta ta/ ti | syncopation, | ta ta ti ti ta |
| ta ta (ta) ta | ta ta ti ta/ | syncopation,
| ta/a/a/a |
Pitches: beginners: Do Re Mi So La Do – pentatonic scale
Key Words: USA history, slaves, impossible dreams, metaphors for impossible things, sacred, after-life, heaven, paradise, hollow log, Blue Jay, green bull frog, weave and spin, moon, spoon, grief, pain, bright, beyond, wings, dream, touch, tender, yonder (down in the valley); contractions: can’t (cannot), they’ll (they will), don’t (do not)
“Buckeye Jim”
1.
Way down yonder in a hollow log,
A Blue Jay danced with a green bull frog.
Chorus
Buckeye Jim you can’t go;
Go weave and spin, you can’t go
Buckeye Jim.
2.
Way up yonder above the moon,
A red bird lived in a silver spoon,
Chorus
3.
Way up yonder above the sky,
Blue Jay rest in a green bird’s eye.
Chorus
4.
They’ll be an end to grief and pain,
A warm bright sky beyond the rain.
Chorus
5.
You don’t have wings so you can’t fly,
But you can dream it if you try.
Chorus
6.
But in Paradise the white bird sings,
Touch your face with tender wings.
Chorus
The chorus is often attributed to a slaves desire to run away; note the illogical references in the songs lyrics (things that cannot occur) with later verses supporting the promise of a better place to be.
Practicing a minor seventh, So/Fa,
and breath support for eight measure phrases.
Description
Grade: Fifth
Origin: France – 16th Century Carol (1553) – English translation early 1800’s
Key: F Major
Time: 3/8
Form: through composed
Rhythm: beginners: | ta ti | ti ti ti | ta (ti) |
Pitches: intermediate: So La Ti Do Re Mi Fa So
Intervals: advanced: So8\Do (P5), Re/So (P4), Do\So (P4), So/Fa (m7), So\Mi (m3) – begins and ends with the same interval So8\Do (P5)
Musical Elements: notes: dotted quarter, quarter, eighth; rest: eighth; tied notes, interval of a minor seventh (So/Fa, m7)
Key Words: world geography: France, French carol; sacred, Jesus birth, Mother Mary, mother of Jesus, torch, hurry, good folk, village, beautiful, son, gentle, mild, softly, sleeping, Angels, keeping watch; contraction: Mary’s (Mary is); abbreviation: Heav’n (Heaven), Christmas, holiday song
“Bring a Torch, Jeanette, Isabella”
1.
Bring a torch, Jeanette, Isabella!
Bring a torch, come hurry and run!
Come and see him good folk in the village,
Jesus is born, and Mary’s calling;
Ah! Ah! Beautiful is the mother,
Ah! Ah! Beautiful is her son.
2.
Come and see him, Jeanette, Isabella!
See the baby so gentle and mild.
Softly now for the baby is sleeping,
Angels in Heav’n, their watch are keeping,
Ah! Ah! Beautiful is the mother,
Ah! Ah! Beautiful is her son.
Origin: Native American – Luiseño Indian Rain Chant
Key: C Major
Time: 4/4
Form: AABA
Rhythm: beginners: | ti ti ta ta ta | ti ti ti ti ta ta |
Pitches: beginners: Re Fa So Do Re
Intervals: intermediate: So\Re, Re/So, Re/Fa
Musical Elements: notes: quarter, eighth
Key Words: USA history, Native American history, USA geography, breezes, blowing, clouds, water. rain dance
“Breezes Are Blowing”
Breezes are blowing,
Blowing clouds of water;
Breezes are blowing, Blowing clouds of water;
On my face, raining,
Raining from the ocean;
Breezes are blowing,
Blowing clouds of water;
Mastering the asending perfect fourth (P4) So/Do,
with a descending tonic arpeggio.
Description
Grade: Second
Origin: USA – Texas Sharecropper Ballad
Key: F Major
Time: 4/4
Form: AB – Verse/Refrain
Rhythm: intermediate: | ta ti ti ta ta |
| ti ti ta ta ti ti | ta ta ta ta | ta/a (ta) ta |
| ta ta (ta) ti ti | ti ti ti ti ta ta |
| ta ti ti ti ti ti ti | (ta) ti ti ti ti ti ti | ta/a/a/a |
Minor tonality, the sixth (La) is the tonal center in the major key, intervals of a perfect fourth (P4) and minor third (m3).
Description
Grade: Fifth
Origin: USA – Traditional
Key: D minor (pitched in F Major)
Time: 2/2 – counted in 4/4
Form: Aa – verse/refrain
Rhythm: intermediate: | ta ta ti ti ta | ta ta ta ta |
| ta/a ta/ ti | syncopation, | ta ta ta ti ti |
| ta/a/a ti/ ri | syncopation, | ta/ ti ti ti ta | syncopation
Musical Elements: notes: dotted half, half, dotted quarter, quarter, dotted eighth, eighth; pickup beat, two double barlines, syncopation, minor tonality where the sixth (La) of the major scale is the tonal center, vocal slurs
Key Words: USA history, westward expansion, religious revivals of the 1800’s; world geography: Jordan, Canaan, Jordan River; Lord, sacred, song of Heaven, stormy, banks, cast, wishful, possessions, promised, bound, generous fruit, immortal, brooks, milk, honey, vales, soul, prepare, never-ending, everlasting, pleasures, praises, cease; possessives: Jordan’s, Canaan’s
“Bound for the Promised Land”
1.
On Jordan’s stormy banks I stand
And cast a wishful eye,
To Canaan’s fair and happy land
Where my possessions lie.
Refrain:
I am bound for the promised land,
Bound for the promised land;
Oh, who will come and go with me,
I am bound for the promised land.
2.
There, generous fruits which never fail
On trees immortal grow,
There rocks and hills and brooks and vales
With milk and honey flow.
Refrain
3.
The Lord my soul will soon prepare
For never-ending peace,
Where everlasting pleasures roll
And praises never cease.