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We Shall Not Be Moved

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Raised/sharp tonic di (F#, 1) and a lowered/flat leading tone te (Eb, 7) blue note, syncopation, and descending chromatic minor seconds, ti\te\la.

Description

Raised/sharp tonic di (F#, 1) and a lowered/flat leading tone te (Eb, 7) blue note, syncopation, and descending chromatic minor seconds, ti\te\la.

  • Grade: Fifth
  • Origin: USA – African American Spiritual
  • Key: F Major
  • Time: 4/4
  • Form: AB – verse/refrain
  • Rhythmbeginners: | ti ti ti ti ta ta | ta/a ta/a | ti ti ti ti ti ti ti ti | ta (ti) ti ti ti ti ti | syncopation, | (ti) ta ti ta ta | syncopation, | ta/a (ta/a) | ta ta ta ta | ti ti ti ti ta (ta) |
  • Pitchesintermediate: so la te ti do di re mi fa – raised/sharp tonic (F#, di) lowered leading tone (Eb, te – blue note)
  • Intervals: intermediate: so/mi (M6), re\di/re (m2), re\so/re (P5), ti\te\la (chromatic m2’s), do\la (m3), la/do (m3), mi\do/mi (M3)
  • Musical Elements: notes: half, quarter, eighth; rests: half, quarter, eighth; pickup beat, verse/refrain. syncopation, raised/sharp tonic (F#, di), lowered/flat leading tone (Eb, te – blue note), repeated melodic rhythm patterns
  • Key Words: USA history: secular union movement, labor rights; African American Spiritual: tune “I Shall Not Be Moved“, African American history: sacred, Civil Rights Movement; union, freedom, fighting, building, black and white together, young and old, heavy burden, God’s marching, church of God, deceive
  • Recorderadvanced: playing in F Major, introducing B flat, F sharp, and E flat, syncopation, blue note, repeated melodic rhythm patterns

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