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O Come, O Come, Emmanuel

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Minor tonality pitched in G Major, ascending and descending submediant arpeggios, with Latin and English text.

Description

Minor tonality pitched in G Major, ascending and descending submediant arpeggios, with Latin and English text.

  • Grade: Fifth
  • Origin: Latin, “O Antiphons” – translated: John Neale (1818-1866), Henry Coffin (1877-1954)
  • Key: E minor (pitched in G Major)
  • Time: 4/4
  • Form: phrases: ABCA AB – song: AB, verse/refrain
  • Rhythmbeginners: | ta ta ta ta | ta/a/a ta |
  • Pitchesintermediate: so la do re mi fa so
  • Intervals: intermediatela/do/mi ascending submediant arpeggio (vi, Em), re/fa (m3), mi\do\la descending submediant arpeggio (vi, Em), la/do (m3), re\ti (M3), la/re (P4), re\la (P4), so/do (P4), do/so8 (P5), so8\mi (M3)
  • Musical Elements: notes: dotted half, half, quarter; pickup beat, verse/refrain
  • Key Words: Biblical history: Isaiah 7:14; world geography: Sinai; sacred, Emmanuel (God with us), ransom, captive, Israel, Mourns, Evil, appear, rejoice, wisdom, nigh, knowledge, might, ancient, law, majesty, awe, thou, stem, foe, deliver, trust, power, sigh, dayspring, drawing nigh, disperse, gloomy, shadow, flight, desire, nations, bind, strife, quarrel, cease, mankind, peace; abbreviations: ev’ry (every), vict’ry (victory), heav’nly (heavenly)
  • Recorder: intermediate: introducing F#, minor tonal center, tonic arpeggios (i, Em)

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