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Advanced syncopation on the second quarter of the second beat, the second half of the second beat, and the second half of the first beat, with a descending submediant arpeggio mi\do\la, a descending tonic arpeggio, and contrasting the descending minor third do\la with the descending perfect fourth do\so.

Description

Advanced syncopation on the second quarter of the second beat, the second half of the second beat, and the second half of the first beat, with a descending submediant arpeggio mi\do\la, a descending tonic arpeggio, and contrasting the descending minor third do\la with the descending perfect fourth do\so.

  • Grade: Fourth
  • Origin: USA – African American Spiritual, cir. 1872
  • Key: G Major
  • Time: 2/4
  • Form: ABA, refrain/verse/refrain
  • Rhythmadvanced: | ta/ ti ri | ti ti ri ti/ | syncopation, | ti ta ti | syncopation, | ti ti ti ri ti | ta (ti) ti | ti ti ti/ ri |
  • Pitchesbeginners: so la do re mi
  • Intervalsintermediate: mi\do\la descending submediant arpeggio (Em), la/do, do/mi, mi\do\so descending tonic arpeggio, so/do, do\la, do\so – contrasting the descending intervals do\la and do\so
  • Musical Elements: notes: dotted quarter, quarter, dotted eighth, eighth, sixteenth; rest: eighth; pickup beat, fermata, Da Capo al Fine, Fine, two double barlines, syncopation
  • Key Words: USA history, sacred, Civil Rights song, Underground Railroad, African American history, gospel train, whistle, curve, loosened, steam engine, steam brakes, nerve, fare, cheap, rich, poor, second class, aboard, difference; abbreviations; comin’ (coming), blowin’ (blowing), rumblin’ (rumbling)strainin’ (straining), ev’ry (every); contractions: there’s (there is), train’s (train is), she’s (she is)

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